Powers appeared in several motion pictures in the early 1960s in secondary roles such as the thriller Experiment in Terror with Glenn Ford and Lee Remick, the comedy If a Man Answers with Sandra Dee and Bobby Darin, and as the daughter of John Wayne in the lighthearted comedy-Western McLintock! (1963). She played a schoolgirl in Tammy Tell Me True (1961) and the police chief's daughter Bunny in the romantic comedy Palm Springs Weekend (1963). She was also in the 1962 hospital melodrama The Interns and its sequel The New Interns in 1964. In 1965, Powers had a more substantial role playing opposite veteran actress Tallulah Bankhead in the Hammer horror film Die! Die! My Darling (originally released in England as Fanatic). Her early television work included Route 66 and Bonanza (both in 1963).
In 1966, her "tempestuous" good looks led to a starring role as April Dancer in the short-lived NBC television spy thriller series The Girl from U.N.C.L.E.. This was a spin-off of the popular The Man from U.N.C.L.E.. Powers' linguistic skills, dance training, and interest in bullfighting were written into several episodes of the series. She also learned how to fence for a five-minute fight sequence with sabers.
Shortly after the series' debut, she was featured on the cover of TV Guide (Dec. 31, 1966–Jan. 6, 1967). The article mentions her "117-pound frame is kept supple with 11 minutes of Royal Canadian Air Force exercises every morning." It also noted: "Unlike her fellow U.N.C.L.E. agents, the ladylike April is not required to kill the bad guys. Her feminine charms serve as the bait, while her partner Noel Harrison provides the fireworks." Dancer was written as a demure, passive figure instead of an action heroine like The Avengers' Emma Peel. The show's reliance on self-parody and camp humor instead of dramatic action and suspense was not a success. The series lasted for only one season (29 one-hour episodes) airing from September 16, 1966 to April 11, 1967.
In 1967, she was in the film Warning Shot with David Janssen. Her 1970s began with two Disney films, The Boatniks (1970) and Herbie Rides Again (sequel to The Love Bug).
She was a guest star on the Robert Wagner series It Takes a Thief in 1970. The two would go on to co-star in the popular Hart to Hart series nine years later.
Prior to the Hart to Hart success, she starred in The Feather and Father Gang as Toni "Feather" Danton, a successful lawyer. Her father, Harry Danton, was a smooth-talking ex-con man played by Harold Gould. It ran for 13 episodes. Guest roles on other popular TV shows include: McCloud (1971), The Mod Squad (1972), Kung Fu (1974), The Rockford Files (1975), Three for the Road (1975), The Six Million Dollar Man and The Bionic Woman (1976), and McMillan & Wife (1977). These shows were the ones that Powers appeared, long after she signed a contract with Universal Studios in 1970, coincidentally, her longtime friend and Hart to Hart series' star, Wagner, signed up a contract with Universal, but did not guest-star on more shows than Powers did. Her role as stripper Dottie Del Mar in 1979's Escape to Athena with Roger Moore turned out to be Powers' last theatrical film to date.
Powers became widely known as a television star for her role opposite old friend Wagner as a pair of amateur sleuths in the 1979-1984 series Hart to Hart for which she received two Emmy and five Golden Globe Award Best Television Actress nominations. In the 1990s she and Wagner reunited to make eight Hart to Hart made-for-TV two-hour movies. In 1985, Powers starred as twins who swap places leading to dire consequences in the two-part made-for-TV movie Deceptions.
She starred briefly in a 1991 London musical, Matador, which closed prematurely due to the sharp drop in tourism during the Persian Gulf War. In 1993, she won the Sarah Siddons Award for her stage performance in Love Letters.
In 1996, she toured in a production of Applause which was slated to go to New York in hopes of a Broadway revival. She played the role of Margo Channing, played in the original production by Lauren Bacall (and later Anne Baxter), and in the source film All About Eve by Bette Davis.
She toured the United Kingdom in 2002 in the singing role of Anna Leonowens for a revival of The King and I. She also toured the U.S. in 2004 and 2005 in that role. Powers released her debut CD in 2003, titled, On The Same Page. The album features selections from the classic Great American Songbook era. Since 2006 she has been the U.S. location presenter on the BBC's long running Through the Keyhole panel show.
On April 30, 2008, she was reunited with Robert Wagner for the filming of a special Hart to Hart edition of the Graham Norton show [BBC]. On 12 March 2011, she received the Steiger Award (Germany) for accomplishment in the arts.
Join us every Thursday for "THE LOUNGE with ROBERT CONRAD"! Robert Conrad is a popular television actor and the star of, "Wild, Wild West", "Ba Ba Black Sheep", "Hawaiian Eye" , and others.
Thursday, September 29, 2011
Tuesday, September 27, 2011
9/22 Robert Conrad Talks with Lesley ann Warren!
Lithe and lovely Lesley Ann Warren started gearing towards a life in show business right off the bat as a child ballerina; little did she know that Hollywood stardom would arrive on her doorstep in the form of a "Cinderella" story -- literally!
The New York-born actress (born in 1946) was the daughter of a realtor and a night club singer, Margot Warren, who gave up her own entertainment career for marriage and family. Lesley attended New York's Professional Children's School and eventually studied under Lee Strasberg at his Actors Studio, the youngest student to be accepted at the time (age 17). The freckled, talented hopeful gathered musical stage experience in such shows as "Bye Bye Birdie" playing swooning teen Kim McAfee. She made her illustrious Broadway debut in "110 in the Shade", the 1963 musical version of "The Rainmaker," and subsequently received the Theatre World Award for her work in the 1965 tunefest "Drat! The Cat!"
The attention she received immediately led to her capturing the beguiling title role in the Rodgers and Hammerstein TV musical production of Cinderella (1965) (TV). Although sweet-voiced stardom was certainly hers on a silver platter, she didn't necessarily carry the sweet tooth for it. Her impact as Cinderella led to her signing with the Walt Disney Studio as their principal ingénue. Co-starring in the rather blah musical showcases The Happiest Millionaire (1967) and The One and Only, Genuine, Original Family Band (1968) further convinced her that she needed to nip the saccharine stereotype in the bud if she was to grow as an actress and sustain some type of career longevity.
Rebelling against her studio-imposed image, she left Disney determined to pursue roles with more depth, drama and character. Changing her name temporarily to "Lesley Warren" to reinforce her goal, she replaced Barbara Bain in the long-running espionage series "Mission: Impossible" (1966) in 1970, but the audiences were quite cool in their reception to the "new and improved" Lesley and didn't buy her as a femme-fatale replacement for the cool and aloof Ms. Bain. After only one season, she left the show and sought greener pastures in the TV mini-movie market playing a wide range of vulnerable neurotics as well as sexy, worldly ladies. She made her mark in such sudsy 1970s material as Love Hate Love (1971) (TV) co-starring 'Ryan O'Neal (I)'; The Legend of Valentino (1975) (TV); the rags-to-riches story "Harold Robbins' 79 Park Avenue" (1977), for which she won a Golden Globe award; the epic WWII story "Pearl" (1978); Betrayal (1978) (TV); and Portrait of a Stripper (1979) (TV).
In the early 1980s, Lesley's movie career resurrected itself with a priceless performance as kingpin James Garner's whiny-voiced, peroxide-blonde spitfire Norma Cassady in the musical film slapstick Victor Victoria (1982). This scene-stealing turn led to a couple of other quality offbeat films: Choose Me (1984) and Songwriter (1984), along with the usual quota of TV projects. She also matured into a steamy, sexier "older woman" type and earned some worldly roles opposite various gorgeous young guns, including Christopher Atkins in the critically-drubbed A Night in Heaven (1983). Her riotous "dumb blonde" act, however, had Hollywood discovering her potential as a scatter-brained comedienne, an image she has reinforced over the years with recurring TV guest parts on such popular shows as "Will & Grace" (1998) and "Desperate Housewives" (2004) Lesley has a son, Christopher Peters, from her 1967-1977 union to makeup artist/hair stylist-cum-film producer Jon Peters. Since 2000, she has been married to advertising exec Ronald Taft, a former v.p. at Columbia and sometime actor. From Cinderella to sexy mamas, the effervescent Lesley is still going strong in a career now hitting four-and-a-half decades.
The New York-born actress (born in 1946) was the daughter of a realtor and a night club singer, Margot Warren, who gave up her own entertainment career for marriage and family. Lesley attended New York's Professional Children's School and eventually studied under Lee Strasberg at his Actors Studio, the youngest student to be accepted at the time (age 17). The freckled, talented hopeful gathered musical stage experience in such shows as "Bye Bye Birdie" playing swooning teen Kim McAfee. She made her illustrious Broadway debut in "110 in the Shade", the 1963 musical version of "The Rainmaker," and subsequently received the Theatre World Award for her work in the 1965 tunefest "Drat! The Cat!"
The attention she received immediately led to her capturing the beguiling title role in the Rodgers and Hammerstein TV musical production of Cinderella (1965) (TV). Although sweet-voiced stardom was certainly hers on a silver platter, she didn't necessarily carry the sweet tooth for it. Her impact as Cinderella led to her signing with the Walt Disney Studio as their principal ingénue. Co-starring in the rather blah musical showcases The Happiest Millionaire (1967) and The One and Only, Genuine, Original Family Band (1968) further convinced her that she needed to nip the saccharine stereotype in the bud if she was to grow as an actress and sustain some type of career longevity.
Rebelling against her studio-imposed image, she left Disney determined to pursue roles with more depth, drama and character. Changing her name temporarily to "Lesley Warren" to reinforce her goal, she replaced Barbara Bain in the long-running espionage series "Mission: Impossible" (1966) in 1970, but the audiences were quite cool in their reception to the "new and improved" Lesley and didn't buy her as a femme-fatale replacement for the cool and aloof Ms. Bain. After only one season, she left the show and sought greener pastures in the TV mini-movie market playing a wide range of vulnerable neurotics as well as sexy, worldly ladies. She made her mark in such sudsy 1970s material as Love Hate Love (1971) (TV) co-starring 'Ryan O'Neal (I)'; The Legend of Valentino (1975) (TV); the rags-to-riches story "Harold Robbins' 79 Park Avenue" (1977), for which she won a Golden Globe award; the epic WWII story "Pearl" (1978); Betrayal (1978) (TV); and Portrait of a Stripper (1979) (TV).
In the early 1980s, Lesley's movie career resurrected itself with a priceless performance as kingpin James Garner's whiny-voiced, peroxide-blonde spitfire Norma Cassady in the musical film slapstick Victor Victoria (1982). This scene-stealing turn led to a couple of other quality offbeat films: Choose Me (1984) and Songwriter (1984), along with the usual quota of TV projects. She also matured into a steamy, sexier "older woman" type and earned some worldly roles opposite various gorgeous young guns, including Christopher Atkins in the critically-drubbed A Night in Heaven (1983). Her riotous "dumb blonde" act, however, had Hollywood discovering her potential as a scatter-brained comedienne, an image she has reinforced over the years with recurring TV guest parts on such popular shows as "Will & Grace" (1998) and "Desperate Housewives" (2004) Lesley has a son, Christopher Peters, from her 1967-1977 union to makeup artist/hair stylist-cum-film producer Jon Peters. Since 2000, she has been married to advertising exec Ronald Taft, a former v.p. at Columbia and sometime actor. From Cinderella to sexy mamas, the effervescent Lesley is still going strong in a career now hitting four-and-a-half decades.
Thursday, September 15, 2011
09/15 Robert Conrad Talk With YOU!
Thursday, September 8, 2011
9/8 Robert Conrad Talks with Cassandra Peterson and Airrion Copeland Producer of White Wash!
Cassandra Peterson, Elvira's alter ego, was born in Manhattan, Kansas, and raised in Colorado Springs, Colorado. She remembers always being a fan of Ann-Margret. Since Cassandra saw her in Viva Las Vegas (1964), she wanted to be a dancer. Just days after graduating from high school, Cassandra traveled to Las Vegas where, at the age of 17, she became the youngest showgirl in Las Vegas history. When Elvis Presley saw her perform he encouraged her to pursue a singing career. She toured Europe extensively as lead singer for an Italian rock band. She settled in Rome, where she became fluent in Italian. Here Cassandra met Federico Fellini, who cast her in his classic film, Fellini's Roma (1972). Returning to the US, Cassandra formed her own nightclub review, "Mama's Boys", which toured the national club circuit. In the late 1970s she joined the satiric improvisational troupe, The Groundlings, which also produced such stars as Paul Reubens (aka "Pee Wee Herman"). There she honed her now renowned comedic skills as both a writer and performer. Film and television appearances such as Cheech & Chong's Next Movie (1980) and others followed, but Cassandra was just the typical struggling actress and spent years wondering where her next meal was coming from. It was the fall of 1981, with the birth of her character, Elvira, that it all changed. While she has since played herself in many film and television shows, Cassandra Peterson ultimately combines her numerous talents into an intriguing persona which has not only become a Halloween icon, but a "vamp" for all seasons.
Producer Airrion Copeland joins the show to talk about a new Documentary featuring 10time ASP World Champion Surfer Kelly Slater, Triple Crown of Surfing winner Rob Machado, Legendary Pro Surfer Buttons Kaluhiokalani, and more. Narrated by Grammy winner Ben Harper, in conjunction with Black Thought of the Grammy Award winning group, The Roots, the documentary explores the history of surfing culture and breaks all 'surfer dude' stereotypes by uncovering the succession of African-Americans riding the waves. While paying respect to the ocean, filmmaker Ted Woods and producers Airrion Copeland and Dan Munger illustrate a comprehensive study from the perspective of black surfers from Hawaii, Jamaica, Florida, and California, blending archival footage and conversations with professors, historians, authors, organizations and professional surfers.
Beginning September 9th, White Wash, will be shown at the Laemmle Theater, 8000 W. Sunset Blvd in West Hollywood, for one week until September 15th. Screening Times are 5:40 p.m. and 9:55 p.m.
Although surfing originated in Hawaii as part of Polynesian culture, Americans adopted a blonde-haired, blue-eyed male surfer cliché that still dominates the sport today. White Wash breaks all manifested barriers and explores the role of black surfers by introducing audiences to the likes of: Michael Green, Founder of Brooklyn Surfing; Rick Blocker, Black Surf Historian & Founder of BlackSurfing.com; Sal Masekela, TV Host, Sports Commentator, Actor & Singer; and Dr. Charles Ross, Author of "Outside The Lines", just to name a few. Featured guests recount their personal journey, while discussing surf history, its origin, and its evolution, all the while preserving the love of catching that giant wave.
Presenting facts such as less than 2% of swimmers registered with USA swimming (of competitive swimming associations) are black - compared to 69% of the National Football League; and nearly 60% of black children can't swim - compared to 30% of white children, Woods takes viewers on an eye-opening crusade for the need of a black surfing association to help establish their place in the water and in surfing competitions.
Others featured in the film include: Billy "Mystic" Wilmot, Jamaican Surf Team; Sam George, Surf Historian & Filmmaker (Riding Giants); James Meredith, Integrated the University of Mississippi; Bruce Wigo, President, International Swimming Hall of Fame; Patrick "Quashi" Mitchell, Founder of Quashi Surfboards International; Lee Pitts, Swim Historian & Instructor; Dr. John Oberman, Author, "Darwin's Athletes"; Dr. Doug Flamming, Author of "Bound for Freedom"; Alison Jefferson, Santa Monica Historian; Audwin Anderson, Sports Sociologist, Texas State University; Dr. Mark Chapman, Chair, African American Studies, Fordham University and more.
Producer Airrion Copeland joins the show to talk about a new Documentary featuring 10time ASP World Champion Surfer Kelly Slater, Triple Crown of Surfing winner Rob Machado, Legendary Pro Surfer Buttons Kaluhiokalani, and more. Narrated by Grammy winner Ben Harper, in conjunction with Black Thought of the Grammy Award winning group, The Roots, the documentary explores the history of surfing culture and breaks all 'surfer dude' stereotypes by uncovering the succession of African-Americans riding the waves. While paying respect to the ocean, filmmaker Ted Woods and producers Airrion Copeland and Dan Munger illustrate a comprehensive study from the perspective of black surfers from Hawaii, Jamaica, Florida, and California, blending archival footage and conversations with professors, historians, authors, organizations and professional surfers.
Beginning September 9th, White Wash, will be shown at the Laemmle Theater, 8000 W. Sunset Blvd in West Hollywood, for one week until September 15th. Screening Times are 5:40 p.m. and 9:55 p.m.
Although surfing originated in Hawaii as part of Polynesian culture, Americans adopted a blonde-haired, blue-eyed male surfer cliché that still dominates the sport today. White Wash breaks all manifested barriers and explores the role of black surfers by introducing audiences to the likes of: Michael Green, Founder of Brooklyn Surfing; Rick Blocker, Black Surf Historian & Founder of BlackSurfing.com; Sal Masekela, TV Host, Sports Commentator, Actor & Singer; and Dr. Charles Ross, Author of "Outside The Lines", just to name a few. Featured guests recount their personal journey, while discussing surf history, its origin, and its evolution, all the while preserving the love of catching that giant wave.
Presenting facts such as less than 2% of swimmers registered with USA swimming (of competitive swimming associations) are black - compared to 69% of the National Football League; and nearly 60% of black children can't swim - compared to 30% of white children, Woods takes viewers on an eye-opening crusade for the need of a black surfing association to help establish their place in the water and in surfing competitions.
Others featured in the film include: Billy "Mystic" Wilmot, Jamaican Surf Team; Sam George, Surf Historian & Filmmaker (Riding Giants); James Meredith, Integrated the University of Mississippi; Bruce Wigo, President, International Swimming Hall of Fame; Patrick "Quashi" Mitchell, Founder of Quashi Surfboards International; Lee Pitts, Swim Historian & Instructor; Dr. John Oberman, Author, "Darwin's Athletes"; Dr. Doug Flamming, Author of "Bound for Freedom"; Alison Jefferson, Santa Monica Historian; Audwin Anderson, Sports Sociologist, Texas State University; Dr. Mark Chapman, Chair, African American Studies, Fordham University and more.
Thursday, September 1, 2011
09/1 Robert Conrad Talk With YOU!
Subscribe to:
Posts (Atom)